NOVELLA
- “Him in the Gorse,” in Clarion #22 (2019). Print and Digital.
“Him in the Gorse” was nominated for a Pushcart by Clarion in 2019.
SHORT FICTION
- “Polaroid Snapshot: The Amusement Park Arcade, 1992,” in Superstition Review #30. December 2022.
- “Digging,” in The Carolina Quarterly 71.3. Summer 2022. Available for purchase here.
- “Holy Writ,” in Sundog. March 2022.
- “Seven Flock the Transom: From the Wire Reports,” in West Branch Wired #98 (Digital Issue). December 2021.
“Seven Flock the Transom: From the Wire Reports” was nominated for a Pushcart by West Branch.
- “The Former Teen Detective and the Workshop Plot,” in Porcupine Literary #4. June 2021.
“The Former Teen Detective and the Workshop Plot” was nominated for Best Small Fictions by Porcupine Literary in 2021.
- “Creatures of the Deep, as Observed from a Distant Shore,” in Lake Effect #25. June 2021. Available for order here.
- “In the Country House of Ash and Broken Glass,” in Coal Hill Review #27. March 2021.
- “After the Mirages,” in LandLocked 3.1. January 2021.
- “Cephalopod in Reverse,” in The Evansville Review #30. November 2020. Available for purchase here.
- “Polaroid Snapshot: The Children, Late 1980s (In the Bed of a Ford F-100,” in Emerge Literary Journal. September 2020.
- “Polaroid Snapshot: The Gift Shop, Seldom Seen Coal Mine,” in Emerge Literary Journal. September 2020.
- “Sacred Heart Aflame at Your Cousin Cassidy’s Wedding,” in Longleaf Review. June 2019.
“Sacred Heart Aflame at Your Cousin Cassidy’s Wedding” was nominated for the New Fiction from the Midwest anthology by Longleaf Review.
- “Polaroid Snapshot: Odometer Reading, Breakdown on Route 865—103,472 Miles,” in Passages North #40. March 2019.
- “Polaroid Snapshot: Skinny Dipping in the Little Juniata River,” in CHEAP POP. January 2019.
“Polaroid Snapshot: Skinny Dipping in the Little Juniata River” was selected by guest judge Michael Martone to appear in Best Microfiction 2020, edited by Meg Pokrass and Gary Fincke. Click here to order Best Microfiction 2020.
- “Self Portrait with Windmill,” in Fiction Southeast. March 2018. Archived via Wayback Machine, available here.
- “Lucky Strikes,” in Souvenir Lit. December 2017.
- “The Survivors,” in Duende Literary. October 2016.
- “Takeoff,” in Lowestoft Chronicle. May 2013.
- “Old Miss Mirabelle Is Dead,” in The Siren. May 2013. Archived via Wayback Machine, available here.
- “Fireflies,” in Green Briar Review. February 2013.
- “The Brothers,” in The Northville Review. June 2012.
- “Le Café de la Chat Noire,” in The Writing Disorder. September 2011. Reprinted in The Writing Disorder Anthology, Volume II: The Best Work from the Online Literary Journal in 2011. Ed. C.E. Lukather. Los Angeles: The Writing Disorder, 2011.
- “Space Cases,” in Revolution House 1.1 (2011): 43-60. June 2011. Archived via Wayback Machine, available here.
- “Space Cases” was reprinted in fresh.ink in April 2020. Click here to check out the story.
- “Space Cases” was nominated by Revolution House for Sundress Publications’ Best of the Net.
CREATIVE NONFICTION
- “As We Recite Poems and Bits of Nietzsche in the Voice of Strong Bad in the Neon Parking Lot of a Turkey Hill, We Recall,” in JMWW. 14 July 2022.
- “The Campus Visit, March 2017,” in Essay Daily. 15 April 2021.
- “The Great Sea.” North Dakota Quarterly 87.3/4 (2020): 95-104. Print. Available for purchase here.
POETRY
- “Ars Poetica: Disclosure,” in Modern Language Studies 50.1 (2020): 108-111.
- “19. The Phoenix and the Lion: A Hauntology,” in Upstart: A Journal of English Renaissance Studies. Special Issue: “Out of Sequence: The Sonnets Remixed.” August 2014. Web. Reprinted in Out of Sequence: The Sonnets Remixed by Parlor Press, 2016. Available for purchase here.
- “Death, if You Don’t Mind, Please Come to the Front of the Class.” Sugar House Review. Vol. 6 (Spring/Summer 2012): 8.
“‘Death, if You Don’t Mind, Please Come to the Front of the Class’ immediately drew me in with its irresistible title and kept me interested with a colorfully uncolored description of the draining dread felt by being called to write on the classroom board.”
—Esther Meroño, SLUG Magazine
Patrick Thomas Henry 